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This study aims to shed light on conversations of surveillance over the past 40 years of American discourse, using a corpus of Congressional records, mainstream and independent news sources, movie scrips and reviews, and archival materials. By comparing general and specific sentiment measurement across these various sources, we examine points of similarity and difference in attitude across the present and past, cultural and countercultural, institutional and popular with regard to surveillance—watching surveillance, as it were, through assemblages of text and data.
A frequent cultural topic is if women are regularly portrayed in mass media, and if they are present behind the scenes. Using data analysis, I looked at mass-marketed comics to see if women are increasingly being represented on both sides of the page.
In America, parody is protected as a form of speech by the First Amendment. In recent years, with the tragedy at Charlie Hebdo a glaring example, the ability to comment on some subjects are becoming increasingly dangerous. A brief history of Parody, Satire, Censorship and where it is taking us.
This presentation will consider the integration of local history collections into traditional public institutions, examine some challenges and cases of developing this collection model for public libraries, and ultimately explore how public information professionals can prepare resources for the augmentation of their own collections.
Interviews were conducted to identify an art movement that 4-6 yr. old children felt most comfortable discussing. Children were introduced to basic visual literacy concepts in two images to gauge comprehension and improvement. Parents and educators were surveyed for interests in and challenges with integrating visual literacy into pre-k curriculum.
This presentation will discuss the processing and exhibition of the Pratt School of Information records. In this class-wide project from LIS 625 Management of Archives & Special Collections, students engaged in the work of the archivists, such as using archival standards like DACS and EAD and enacting preservation actions.
Coral will introduce the Voces Digital Audio Archive, an online archive created by students in LIS 665 that documents the Puerto Rican diaspora. Includes a discussion of digitization, curation, metadata and experience design of this collaborative project with the Archives of the Center for Puerto Rican Studies (CUNY).
In celebration of Global Accessibility Awareness Day on May 21, an enlightening poster on ADA compliance, technology and innovations to provide equal access for people with disabilities in libraries and beyond.
Students from Projects in Digital Archives will present their work on archiving and digitizing select portions of a photography collection spanning architecture and design from the 1970s. The photography was created by architectural photographer Bill Maris and donated to Pratt a few years ago, and features photography in several formats.
NYARC implemented a web archiving program to preserve born-digital art resources and develop a sustainable model for archiving dynamic, image-based web content. As IMLS grant-funded interns for web archiving, we spent two semesters at the Frick Art Reference Library working on various facets for capturing online art resources.
Details a multi-stage research and design project to help the Asia Society Museum better engage with its visitors. Components include new outreach and communication strategies, a re-designed entryway and check-in process, and a new interface for their touch-screen kiosk.
This paper covers how different folksonomy based systems can be integrated into the public library to move towards Library 2.0. These programs can help show how the library is involved in the community. I also discuss how folkonomy can help patrons discover new books through discovery.
Highlighting contributions to the Linked Jazz project, including the creation of linked data from historical photo metadata and, more recently, performance history data from Carnegie Hall and online jazz discographies.
The Institute of Jazz Studies at Rutgers University is “the world’s foremost jazz archive and research facility.” To help the IJS make its one-of-a-kind collection even more accessible, our group completed a user-centered redesign of the IJS site.
This paper examines the hardware and software tools (write blockers, kryoflux drive, AccessData, FTK) used in law enforcement for forensic analysis and how these tools have been adopted by archivists for born-digital archiving. It explores how these tools were used when NYPL acquired Timothy Leary’s estate which included over 375 floppy disks. The paper also briefly touches on some of the current challenges of archiving google docs, twitter feeds and emails.
The project is a digital exhibition created as part of the DPLA’s Digital Curation Program and part of Professor Rabina’s course “Information Services and Sources.” The exhibit explores courageous women who took to the skies to find freedom during the first half of the 20th century.
This is a paper that I wrote about library leadership that describes the definition of leadership, qualities of a leader, goals of a leader, and the difference between a leader and a manager.