Conservation and Access: Visiting the New York Academy of Medicine’s Rare Book Collection

Located between Mount Sinai Hospital and the Museum Mile, New York Academy of Medicine is home to over half a million volumes, including a comprehensive collection of rare books and artifacts. I met with Arlene, the Reference Librarian of Historical Collections, in the gilded marble lobby of the Academy, where she brought me up to the Drs. Barry and Bobbi Coller Rare Book Reading Room.

Although it was originally intended only for the use of the Academy’s Fellows, the Library opened its doors to the public in 1878–about thirty years after its inception. The library grew rapidly throughout the late-nineteenth and early-twentieth centuries, expanding its collection mainly through personal and institutional donations from the Medical Journal Association, the Society of the New York Hospital, and the medical books of the New York Public Library. The Rare Book Room houses thousands of books, manuscripts, pamphlets, and artifacts relating the history not only to the history of medicine, but also natural history, philosophy, and the history of print.

Arlene was excited to show me some of the collection’s highlights, including a hand-painted first edition of Conrad Gessner’s Historiae animalium, pictured below. Gessner’s book–one of the most carefully-colored copies I’ve ever seen–speaks to a key concern of rare books libraries: that is, a preoccupation with the singular object. When every object is unique, “form and substance are indistinguishable.” (Cloonan, 236). The Library holds multiple copies of Gessner’s volume, each unique in coloration, providence, and form.

IMG_20151020_120310006

These differences are carefully accounted for in the card catalogue, but what is particularly interesting is the fact that the majority of these details have been lost in the catalogue’s migration to the digital realm. Arlene explained how the temporary staff who created the metadata were not so careful in their work; not everything was catalogued or catalogued in sufficient detail. In effect, the particularities of the books as objects has been lost for users trying to access them online. As a center for this history of print, the Academy Library takes such considerations seriously.

For example,  I was shown a copy of a seventeenth-century natural history textbook in which its eighteenth-century owner added a watercolor observation of a beached whale. Arlene explained how, although the whale drawing is accounted for in the card catalogue, she wasn’t aware of it until a patron found it while doing research.IMG_20151020_114906242_HDR

Another example is an anatomy textbook with fore-edge paintings of William Harvey, John Hunter, and Edward Jenner. Although the book plate within describes the paintings, no where are they noted on the digital catalogue. The problems this raises in terms of accessibility of information are central to the concerns Arlene discussed with me.

In terms of the digital preservation, the library has not begun a comprehensive digitization project, but instead digitizes material for online exhibits. While the Library has hired freelance digitizers from time-to-time, the volume of work they can get done is often limited. The main problem seems to be lack of adequate funding for long-term digitization projects beyond money from federal grants. Moreover, further problems arise with conservation when rare material is handled for digitization–a threat that is perhaps not worth it for the librarians at NYAM in the long run. Archivists and librarians are well aware of scholars’ “failure to understand the pressures that make it impossible to save everything.” (Rosenzweig, 760). At the NYAM LIbrary, thousands of volumes of journals and theses had to be given away because of lack of space. This idea perhaps extends to the pressure to digitize rare material, which is not always technically or fiscally viable.

The main concerns of the collection’s librarians, therefore, revolve around conservation and access. The Library opened its Conservation Lab in 1982 with the aim to preserve its collection for future generations. Focusing on item-level treatment and storage considerations, the Lab is largely funded by grants and donations. Larger conservation projects, focusing on specific themes or bodies of work, therefore only occur once or twice a year. Facing a lack of funding, NYAM’s rare book librarians have been focusing more on smaller projects of careful storage, bounding up delicate books within acid-free supports and shrink wrap.

In this case, the digital collection is therefore more about access and the production of a coherent heritage. Arranged in online exhibitions, the Library’s digital collection speaks to the project of arranging historical material into a consistent narrative. The collection and preservation of heritage by institutions creates a “social memory by which popular significance becomes based on memory stores and historical materials. Therefore, ‘significance’ is consensual, but also hegemonic because it is shaped by practices and meta-cultures that characterize their transmission” (Dalbello, 1). As an adjunct of the New York Academy of Medicine, the library’s heritage, like many rare book collections, is primarily based in hegemonic culture. While the digital exhibits and cultural programming provided by NYAM showcase facets of their incredible collection, such a limited view and incomplete catalogue stifles access and intellectual comprehension.

 

References

Cloonan, M.V. (2001). “W(h)ither preservation?” The Library Quarterly 71(2): 231-42.

Dalbello, M. (2009). “Digital culture heritage: concepts, projects, and emerging constructions of heritage.” Proceedings of the Libraries in the Digital Age (LIDA) Conference. 25-30 May, 2009.

The New York Academy of Medicine — Library. Retrieved from http://www.nyam.org/library/.

Rosenzweig, R. (2003). “Scarcity or abundance? Preserving the past in a digital era.” The American Historical Review 108(3): 735-763.

My Observation of the NYPL Digital Archives

For my observation, I chose to spend three hours examining the New York Public Library Digital Archive. The reason I chose this specific topic is because I have a lot of mixed feelings when it comes to digital archives. Personally, I prefer to examine an object or document first hand. The sensory aspect of coming into contact with a historic document or object is something that can’t be replicated virtually. However, the availability of partial or complete collections is a new aspect of library, museum and archive culture that is something to be admired. Many people don’t even realize the scope of an institution’s resources until they stumble upon it.

Pros

The largest pro of the NYPL is the extent of its content. Many of their collections have been digitize. On the homepage is an interactive set of information. Scrolling over some of the stats and the viewer is able to compile comparisons. For example the total sq. footage of the archive is  the equivalent of forty-four Empire State Buildings. At the same time they provide the public with a working update of how many pages have been digitized. So far the NYPL archives have digitized 180,777 pages of their collections. While that isn’t much it is still Often researchers, students, or the general public have to make appointments in order to see a specific collection with supervision. With online archives patrons are able to browse collections unsupervised.

Another pro is the new beta linked data tool that creates connections between different aspects of various collections. This already is an invaluable tool not available at a physical archive. The only person able to make the connections is the archivist who has worked on the collection.

The comment section is really nice pro for the NYPL Digital Collections. Recently, I found out that the comments section was reviewed by staff members and what they found was extraordinary. One commenter stated that his grandfather was the man being lynched in a photo. The commenter wanted to donate other material of his grandfather to provide more depth about his grandfather’s life. Other comments provided supplemental information about other photos such as back story to stores or children in the photos (some of them were the children or lived in the subject places). Since the digital archive is relatively new, I hope that they will take this feature useful in a different department and incorporate it into their own.

The final pro I found particularly interesting is something that is shared between all archives. Online archives allows the public to access material that might be too fragile for physical access. A lot of the documents I examined where old and/ or in terrible condition. In this instance the New York Public Library archives created a sort of balance between the patron and the fragile thing.

Cons

The largest con I have against the NYPL archives is how they formatted the way you access the content. Often times I found myself circumvented to other areas I did not want to be in, such as the catalog. The developers assume patrons will be able to understand the layout and navigate it. That is extremely bothersome because online archives are a relatively new aspect and every archive designs their website differently. To assume that the patron will automatically understand places a great strain on the patron. If the patron becomes frustrated with the system, they won’t use it anymore.

Another con is the amount of control a patron has over what they see. With online archives patrons are only given access to what the archivist provides and how they provide them. With physical archives the patron has more access to different aspects of the document. Such as small marks that can not be clearly seen online because the resolution isn’t the best. Physical contact with an object allows the observer to notice details that might be obscured by pixelation. For example I wanted to look closer at some written note on a document on the NYPL archives and could barely read it because the image quality limited from seeing it. This is the example that I am referring too.

The last con I have against digital archives is the difference in experience a person feels when they come into contact with a historical document or object. This is particularly personal because as someone who deeply appreciates history, that experience of working with document or object that is part of a larger historical context has deep meaning for me. To not be able to feel the kind of paper, ridges or bumps or smell the ink, paper or whatever kind of material almost makes it hard for me to fully respect the object for document.

There a lot of aspects of digital archives that I enjoy and certainly the NYPL archives is an excellent example of a digital archive. However, there are certain aspects of traditional research that can’t be replicated in digital form. Throughout the entire observation, I kept in mind, Roy Rosenzweig’s, “Scarcity or Abundance? Preserving the Past in a Digital Era,” where he mentions the historian and their refusal to accept digital archives. While I have some reservations about digital archives and the authenticity of the archived object but I understand how important it is to make connections between works. That is one of the reason I appreciate NYPL archive’s linked data feature.

Hart Island and the Case for Digitization

Over the summer, the media was abuzz with developments involving Hart Island. Located north of Manhattan in the East River, Hart Island functions as New York City’s potter’s field and the largest tax-funded cemetery in the world. The island is operated by the Department of Corrections, which employs prison labor to maintain its many mass grave sites. Among the one million New Yorkers buried, are indigent persons, prisoners, stillborn children, those whose families cannot afford private funerals and, more generally, anyone who is not claimed or identified within a two-week period after death.

As of July 2015, visitors would be permitted entry to grave sites once per month, a vast improvement that resulted from years of struggle between advocacy groups and city agencies (Kilgannon). Formerly, the cemetery was a point of contention due to the inaccessibility of both its grave sites and burial records. Those who sought information about burials encountered a bureaucratic labyrinth involving weeks of being bounced between personnel at the Department of Corrections. Hart Island visitors were subject to even more imposing barriers: the island was only reachable by a ferry which ran infrequently, and visitors were to undergo the same DOC processes used to grant visitors access to NYC’s prisons. Furthermore, those who jumped through these hoops and made it to Hart Island were physically barred from entry to actual grave sites, forced to gaze upon the mass graves from a small gazebo located near the ferry dock.

Hart Island’s inaccessibility not only restricted burial grounds, but also obscured a repository of information, including records and identities that contribute to social memory. Cox and Day consider cemeteries archives wherein components include artifacts, records and grave sites, and they describe these archives as a “rich source of historical information” (Cox 1). What happens, then, when that archive is neither accessible nor properly managed? In the case of Hart Island, social histories were rendered invisible due to poor record keeping and access protocol. The public potter’s field is chilling representation of the power bureaucratic structures wield over the voices and histories of citizens, socially-excluded groups in particular.

In “Archives, Records and Power: The Making of Modern Memory,” Schwartz and Cook expand on the importance of archival studies, saying, “…it is essential to reconsider the relationships between archives and the societies that create and use them. At the heart of that relationship is power” (Schwartz 5). They go on to explain the ways in which the archivist’s power manifests:

“…power to make records of certain event and ideas and not of others, power to name, label, and order records to meet business, government, or personal needs, power to preserve the record, power to mediate the record, power over access, power over individual rights and freedoms, over collective memory and national identity – is a concept largely absent from the traditional archival perspective” (Schwartz 5).

By considering the relationship between Hart Island’s archive and the society that created it, one may be able to deduce why the archive was approached with such carelessness. After all, the majority of those buried on Hart Island are indigent peoples who were likely neglected by the system during the course of their lives. I believe that the information missing from Hart Islands archive speaks volumes. Lack of physical and informational access, uninformative burial records, and shoddy management of Hart Island’s archive can be interpreted as a reflection lacking resources, and in turn, limited concern for Hart Island’s interred.

According to Schwartz and Cook, “Power over the documentary record, and by extension over the collective memory of marginalized members of society…” resides in “…the ways in which institutional resources are allotted for procurement and processing of collections, and the priority given to their diffusion…” (Schwartz 17). If it is an act of power to choose which information is entered into or omitted from the archive, then Hart Island’s anemic record keeping is a sad testament to city government’s desire and resources devoted to preserving social memory of socially excluded peoples. Hart Island is far from the only space where hegemony and colonialism result in erasure of certain voices from the archive.

Reforms to DOC procedures surrounding Hart Island did not happen on their own. After visiting Hart Island on a photography assignment, artist and activist Melinda Hunt took interest in the island, founding The Hart Island Project with the mission to connect loved ones with memories of friends and relatives buried on the island. Citing concerns about lack of access to information, she helped the NYCLU file a lawsuit against the city in the effort to make burial records publicly available (Surico). Under the Freedom of Information Act, the Department of Corrections was obliged to make this information accessible, and in addition, provide more resources for family members and guests to visit grave sites (Velsey).

Melinda Hunt’s Hart Island Project moved along a bit more quickly that the city’s lethargic bureaucracy: in 2008 soon after FOIA required the DOC to hand over burial information, Hunt had already pooled her resources to digitize the records and create an online collection called the Traveling Cloud Museum (Walshe). According to the official website’s description, the Traveling Cloud Museum “…offers an innovative method for preserving the histories of people whose identities are erased by a system of burials dating back to the American Civil War” (“The Hart Island Project”). Beyond simply providing burial information, the Traveling Cloud Museum functions as a citizen’s archive that crowdsources submissions of individual stories, images, and media about those buried on Hart Island (“The Hart Island Project”).

The breadth of burial information available on the Traveling Cloud Museum far surpasses the city’s database, which only contains fields for name, age, date of death, place of death, plot number and medical examiner. For example, Hunt recognized that a plot number would do no good in assisting visitors find their loved ones, so the Traveling Cloud Museum used Google Earth to map the exact location where each plot is located (“The Hart Island Project”).

Removed from the inertia of bureaucracy, the online collection created ‘space’ for narratives, voices and information often excluded from the archive. By digitizing records and crowdsourcing stories, the Traveling Cloud Museum’s online collection essentially became a citizen’s archive, circumventing bureaucratic structures that imposed restrictions on information access. The online archive is just one example of how digitization can facilitate access by overcoming barriers that prevent the public from interacting with certain information. While Rosenweig would argue that proper “preservation of the past is, in the end, often a matter of allocating adequate resources,” I believe the digital space allows for more public participation in archiving efforts – participation that has the potential to decolonize the archive (Rosenweig 762). In the case of Hart Island, digitization prevailed in disseminating information that bureaucratic structures had otherwise rendered invisible.

Sources Cited

Cox, Richard J. (2011) Stories of a Pleasant Green Space: Cemetery Records and Archives. Archival Issues, 33 (2). pp. 88-99. (In Press)

“The Hart Island Project.” HartIslandProject. N.p., n.d. Web. 29 Oct. 2015. <https://www.hartisland.net/>.

Kilgannon, Corey. “New York City to Allow Relatives to Visit Grave Sites at Potter’s Field.” The New York Times 9 July 2015: A22. The New York Times. 8 July 2015. Web. 27 Oct. 2015.

Rosenzweig, Roy. “Scarcity or Abundance? Preserving the Past in a Digital Era.” The American Historical Review 108.3 (2003): 745-762. JSTOR [JSTOR]. Web. 28 Oct. 2015.

Schwartz, Joan M., and Terry Cook. “Archives, Records, and Power: The Making of Modern Memory.” Archival Science 2 (2002): 1-20. Web. 27 Oct. 2015.

Surico, John. “The Journey from Death to Hart Island.” Urban Omnibus. N.p., 14 Oct. 2015. Web. 26 Oct. 2015. <http://urbanomnibus.net/2015/10/the-journey-from-death-to-hart-island/>.

Velsey, Kim. “An Open Hart Island: Off the Coast of the Bronx Lie 850,000 Lost Souls—the City Council Hopes to Pay Its Respects.” Observer. N.p., 28 Sept. 2012. Web. <http://observer.com/2012/09/hart-island/>.

Walshe, Sadhbh. “‘Like a Prison for the Dead’: Welcome to Hart Island, Home to New York City’s Pauper Graves.” The Guardian. N.p., 3 June 2015. Web. <http://www.theguardian.com/us-news/2015/jun/03/hart-island-new-york-city-mass-burial-graves>.

 

OBSERVATION of NYPL MAP DIVISION

The New York Public Library’s palatial main branch is famed for its lionized gates to knowledge, and thousands of known and unknown scholars, artists, and autodidacts have used this space throughout its 100+ year history. The library functions not only as a research facility (where a full liberal arts education is available for free), but also as a fine art museum with galleries, murals, statues, architecture, and a tree lined portico. This is the ultimate library. It broadens the spectrum of what a library can be while maintaining what a library has always been.

1865 map of NYC by Egbert Viele showing natural waterways. Often consulted by developers.

There are a variety of divisions within the library based on their subject (i.e. Periodicals, Prints & Photography, Rare Books & Manuscripts, Jewish Studies etc.); given the brevity of this article I will be observing only one: the Map Division, located on the northeast corner of the first floor. Their holdings include more than 433,000 sheet maps, over 20,000 books and atlases, all ranging from the 15th to 21st centuries. They have six computer workstations that allow access to Google Earth, Digital Sanborn Maps:1867-1970, Oasis NYC: community maps of New York City, and, as always, the NYPL classic catalog. Their reading room has twenty-eight chairs that surround three oak tables that are original furniture from the building’s inception (1911). In the reading room there are approximately 1900 open stack books for self referencing (using Library of Congress classification), twelve antiquarian maps along the walls, three sizable globes on stands, one gargantuan 45lbs. atlas of earth, and an enclosed map exhibit. Wi-Fi is provided and personal laptops are welcomed.

My observation is based on five visits, each an hour long, with casual interactions among the staff. The reading room is quiet and has a studious aura; the age range is diverse; within those seated most are using electronics, some are reading with laptops, and a few are reading & writing without gadgetry. Seating can be scarce as the famous Rose main reading room is closed, therefore, a whole table is designated for those referencing the map collection, for many of the maps are large and the atlases hefty. Tourist trickle through the room regularly, basking in the Beux Arts decor, taking photos, looking at globes, occasionally flipping through the open stacks, but the gargantuan atlas receives regular attention. However, there is a zoological feel to the tourist amusing themselves while patrons study; I overheard someone ask the reference desk why there were so many people here, presumably they could do all this work from home, the librarian obliquely responded: “they have their reasons.”

The reference desk is stationed by one librarian at a time, with new shifts beginning every two hours, and their demeanor exudes patience along with a nuanced knowledge of the collection. The librarians have seven avenues of patron relations: email, telephone, written, reference, consultation, direction, and instruction. The first three are usually a sort reference work, but sometimes an appointment is made for consultation, which can be an in-depth assistance and advising on research, or arranging a class visit with instructors and deciding on content. On one occasion I saw a class of 15 undergraduates led to the back with a stack of maps awaiting them. I also noticed in a historical atlas of New York acknowledgments given to the map division for its cartographic consultation. Direction is on the opposite side of the spectrum and far more common, as it directs people to the restrooms, power outlets, computer labs, or a specific location in Midtown. Instruction can consists of catalog usage, workstation navigation, or simply applying for a library card. These seven avenues are the librarians realm of service, all of which is done with the utmost patience and professionalism.

The variety of readers and their purpose is broad: students working on a project, geologist, real estate developers, insurance companies, lawyers, construction companies, map enthusiasts, fiction authors, scholars, and grandparents showing grandchildren their old neighborhood.

The table reserved for patrons reading from the collection is left empty when not in use. Prior to the internet, the map division would average 30 readers daily, but now it has dropped to an average 10, and it lowers slightly during the summer and winter months. The variety of readers and their purpose is broad: students working on a project, geologist, real estate developers, insurance companies, lawyers, construction companies, map enthusiasts, fiction authors, scholars, and grandparents showing grandchildren their old neighborhood. Occasionally, a gracious reader will leave a copy of their published work, but sometimes they speak in detail about their research and it’s always fascinating. This reserved table is one of three, and yet its significance is notable; an aura emanates from it, or perhaps it is simply in better condition.

1635 map of the Americas by Wilhelm & Joan Blaeu. Famed for its beauty & precision

Some of the older maps show methods of preservation, such as being enclosed in clear plastic (mylar), or backed my canvass (muslin), but sometimes they use facsimiles instead of the original because of its fragile state. The NYPL does have a conservation department, but some paper is acidic and beyond repair; digitization is the another method to for long-term use. Although, in one instance a researcher insisted on the original and was accommodated.

There are two catalogs that are used in tandem: one is a physical nine volume book call GK Hall, which is essentially the original card catalog that dates back to the Astor/Lenox libraries (now known as the Public Theatre & Fricke Museum) and catalogs up to 1978; after 1978 the catalog is online, but here’s the rub: only some of GK Hall material is online, so both catalogs are needed to reference the entire collection. The best of both worlds.

CONCLUSION: the librarians are patient, helpful, and consistent. The space is studious despite the flow of tourism, random a-socialism, and other spontaneous events. The collection is exhaustive and fully available to the public. Truly a gem of New York City.

 

NYPL Map Division site

 

 

 

Digital Fractures in Attention: The Splintered Librarian

Perhaps not entirely obvious, yet still no where near a controversial statement, librarians devote themselves to attention. The library is replete with it. Since childhood, its stacks imbued us with a sense of hushed tones and solemn contemplation, bodies hunched, minds deep in congress with personal gods. But the reality behind this impression runs as deep as the foundation. Without attention, no library would exist further than a massive hulk of unordered books in some forgotten cellar (if that, as even this compilation requires some attention).

Essentially, we, as librarians, deal in attention: by the attention we provide in the formation of collections, for the attention of the members and visitors who hope to connect to the information they require. Classification, organization, and preservation enable minds to access otherwise esoteric, dispersed information, and thus we provide a service, attending to collections so others may more freely attend to the content of their interest.

Libraries establish the source of societies extended attention span, and attention founds all human experience. To this latter effect, the psychologist William James remarks:

Only those items which I notice shape my mind – without selective interest, experience is an utter chaos. Interest alone gives accent and emphasis, light and shade, background and foreground – intelligible perspective, in a word. […] but without it the consciousness […] would be a gray chaotic indiscriminateness, impossible for us even to conceive (James).

Vanguards against the buzzing manifold, we channel the ever deepening ocean of information through artifacts of our epistemology, generalities and contexts, so that others should keep themselves afloat in the process of their own inquiry. Digital technology allows librarians the ability to disperse their attention to many more millions of items, but with this advanced reach comes many issues. Some problems involve digital archives, preservation, memory, and power. I, however, wish to deal with toll this new technological information age takes on our own attention spans and, by extension, our well-being.

First, consider Marcia J. Nauratil’s engaging The Alienated Librarian, an exposition of burnout in the library as the “proletarization of professional labor.” To explain, she focuses on the emergence of bureaucracy as an ultimate power source over librarian autonomy:

Bureaucratic discouragement of professionalism, with its components of suppressed autonomy, role strains, and proletarianization, is a potent inducer of work alienation. The bureaucratic structure of libraries has also fos­tered and enhanced the alienating effects of all the other developmental factors considered thus far (Nauratil 55).

Hierarchical, bureaucratic oversight from library, university, or government administration stymies regular employees’ self-determination. This structuralized oppression likens librarians to Charlie Chaplin’s character in Modern Times:

Similar to the methods used to enact authority as seen in this clip, authoritarian measures legitimize bureaucracy in libraries. Some of these, as Nauratil lists, are deskilling; role strain, overload, and ambiguity; and intensification of the labor process (23-25).

But these factors of control form behind closed doors, occur perhaps unintentionally, and certainly hide under the guise of budget constraints and austerity measures. My questions: where do librarians feel depersonalization most immediately? What do we hear and do in place of the mechanical repetition in the world presented by Modern Times?

William James expounds on a familiar effect:

[…]the confused, dazed, scatterbrained state which in French is called distraction […] We all know this latter state, even in its extreme degree. Most people probably fall several times a day into a fit of something like this: The eyes are fixed on vacancy, the sounds of the world melt into confused unity, the attention is dispersed so that the whole body is felt, as it were, at once, and the foreground of consciousness is filled, if by anything, by a sort of solemn sense of surrender to the empty passing of time (James).

Here, James distinguishes distraction as the opposite of attention, an effect of contemporary life that we find intimately familiar.

As attention brokerage firms, libraries situate their workers right at the heart of the technological data swarm. One paper asks: “how is it possible to be a knowledgeable librarian in the twenty-first century? […] When constantly overwhelmed with information and distraction by its overabundance, it is difficult to focus or even know where to start (Dewan 101).” The burden of excellence in reference librarianship is at extreme odds with the very nature of the field in its current state. So, when we acknowledge that “people depend on librarians to navigate information that simply overwhelms them,” — which requires librarians to “subscribe to email alerts, listservs, RSS feeds […] in an effort to keep pace with today’s ever increasing body of knowledge(100),” — the childhood intuition of the quiet reverence of the library belies a furious deluge behind the reference desk.

To cope, librarians tend to multitask, sequentially drawn to and from sources, which splinters attention and stresses the addled mind (Levitin; Dewen 107). Librarians habitualize this constant repositioning of interest, and develop an attention deficit trait, ADT (108). The pathology of our “age of distraction:”

It is brought on by the demands on our time and attention that have exploded over the past two decades. As our minds fill with noise—feckless synaptic events signifying nothing—the brain gradually loses its capacity to attend fully and thoroughly to anything (Hallowell).

Attention, the process that underpins our connection with the world, “[…] the very root of judgement, character, and will (James),” and the principle of a librarian’s craft, erodes in the cacophonous polyphony of “You Got Mail.” If anything removes us from our “species-being,” look no further than how many tabs you have opened in your browser.

However harsh I sound; I am no luddite. Technology has extended our attention out to the furthest galaxies and the smallest quantum; it gives the world stage to whom would otherwise tremble in silence. The internet has crumbled physical boundaries and allowed perspectives to promulgate. Ultimately, meaning can proliferate beyond all prior bounds. But this does not discount the deliriant effect on us, and knowledge laborers in specific.

Written in 1989, Nauratil’s book predates the expansion of the internet, with broadband service, smartphone devices, and wifi. Nevertheless, under these considerations, we can see that the advanced access to information disperses attention — the “opium of the masses.” Nauratil’s remedies for alienation and burnout require our recognition of bureaucratic authority, to take action against the power that would separate us further from our work. Yet, if librarians are kept busy, stressed, and disorientated, the reality of our alienation internalizes; we view ourselves as the problem, not the structural imbalances from which these issues spawn. Our attitude becomes, “I barely know what is right in the world, when everything seems to go in its own direction, and its own set of considerations. How can know what happens in administration? I am too tired to even look.”

Attention is our direction in the world, that is, to the world. When we focus, with a clear and unburdened mind, we should see the reality of the situation, if only through our own perspective. When our mind fails to acknowledge the world, as it is, then we should attend to others in more apt vantage points. Thus our own interest can expand intersubjectively. Technology and the internet enables effect, but also disables it. Knowing this dual nature is crucial.

 


Works Cited

Dewan, Pauline. “Can I Have Your Attention? Implications of the Research on Distractions and Multitasking for Reference Librarians.” The Reference Librarian 55, no. 2 (2014): 95-117.

Hallowell, Edward. “Overloaded Circuits: Why Smart People Underperform.” Harvard Business Review. Harvard Business Review, 01 Jan. 2005. Web. 29 Oct. 2015.

James, William. “Classics in the History of Psychology.” James (1890) Chapter 11. Ed. Christopher D. Green. York University, Toronto, Ontario, Web. 29 Oct. 2015.

Levitin, Daniel. “Daniel Levitin: “The Organized Mind: Thinking Straight in an Age of Information Overload”” YouTube. YouTube, 24 Oct. 2014. Web. 29 Oct. 2015.

Nauratil, Marcia J. The Alienated Librarian (New York: Greenwood Press, 1989)

Baccalaureate, Beginnings and Burnout

“Choose a job you love, and you will never have to work a day in your life.” Confucius

job-burnout-253x300

I used to believe in the quote above until I graduated from college and struggled to find a job in my field of study. I had it all planned out in my head as follows: graduate from college, obtain a job in my chosen field, start saving for continued studies and enjoy my job, because I’m going to be doing what I loved. What an oversight this was in my journey. Firstly, I spent quite a lot of money to obtain certification to teach in New York City. Then I sent out lots of resumes and attended several interviews for teaching positions, only to hear the same phrase over and over again, “you need experience.” I was so disappointed and discouraged that I started applying elsewhere. Eventually, I was able to secure a teaching job and even though my ego was so deflated, I anticipated a great turn of events from this opportunity. I embraced this job, worked long hours, wrote lesson plans excellently, and organized occasional field trips for my classes because I believed that teaching should not be unilateral. I loved my job and seeing the children learn encouraged me to work even harder and longer hours. Unfortunately my dedication went unnoticed and I began to feel unappreciated. My paycheck remained the same for months with no consideration for increase. I felt extremely stressed from the increasing class sessions. Indeed, my new beginning ended faster than I envisioned for after a few years I decided to quit teaching because of burnout feelings. At this point, I reflected on the following:

“My life is bitter as wormwood; the very life is burning out of me. I’m a poor, miserable, forlorn drudge…. What’s the use of trying to do anything, trying to know anything, trying to be anything? What’s the use of living? I wish I was dead!”

(Harriet Beecher Stowe, Uncle Tom’s Cabin).

 

Nauratil (2001) gives several definitions of burnout as seen by psychiatrists and researchers in “The Alienated Librarian” but the one that resonates with me the most states that “ other researchers focus on burnout as a process rather than an end state, viewing it as ‘a progressive loss of idealism, energy and purpose experienced by people in the helping professions as a result of their conditions of work” (p. 2). Thus, reading this definition really gave me a clearer picture of my burnout feelings. I realized that I had my own ideas about being a teacher and when I was given the opportunity to teach my enthusiasm and energy was driven by my purpose to impart knowledge and educate young minds. I soon lost my passion and desire to teach, all because of the horrible conditions of my work environment. I had chosen a job that I loved and enjoyed working diligently every day, sometimes without lunch breaks. Yet, I was never recognized nor given any recognition for my efforts inside and outside of the classroom. This undisputable treatment made me feel resentful with a dwindling passion for teaching. Feelings of being overwhelmed and confused resulted in my frequent experiences of headaches, colds and chronic fatigue. Many individuals in the work force can share these same experiences, but not many persons can identify or recognize “burnout.” I had no idea of what I was experiencing at that time, for it was only after I left teaching that I learned of the “burnout phenomenon”.

My recent reading of Graham Greene’s 1961 novel, titled “A Burnt-out Case” describes the main character Querry who quits his job and withdraws into the African jungle because of his being psychologically and spiritually disillusioned. First of all this novel shows just how long burnout has been an issue in society; and secondly it gives the reader an insight into one of the many reasons why many professionals choose to use fear so as to “cope” with burnout. However, it is this fear of circumstances like poverty that keeps many professionals in their vocations. Also, the fear of failure that makes them continue to work harder; fear of loss that makes them accept emotional pressures and end up with depression. This statement expresses a very familiar feeling that is experienced and uttered by many professionals in society today, Graham Greene points out that“ A vocation is an act of love: it is not a professional career. When desire is dead one cannot continue to make love. I’ve come to the end of desire and the end of a vocation” (p. 57).

Many professionals complain daily about their jobs ranging from compulsion to prove oneself, to depersonalization, and to withdrawal. Librarians, teachers, customer service representatives, social workers, counselors, psychiatrists and many other human services professionals tend to become tired of their “calling” or urge to follow a specific career and eventually end their careers even though work and survival are interrelated. It is known that one needs to work in order to survive, sustain and grow, while making a meaningful contribution to society. However, it can also be said that when this codependence breaks down, individuals tend to compensate by accepting their situations in order to remain employable. At the same time it is motivation that keeps them focussed on achieving their goals. Findings of the Society for Human Resource Management show that they believe employers are able to get the best possible talent if they follow what motivates employees. They state that being able to use personal skills was ranked highly in what creates job satisfaction. Therefore, employers should make this a priority so that their employees are able to use their skills and abilities to the fullest. (2009 “Employee Job Satisfaction”). This will give the employees the opportunity to feel that they are valued, as well as being used to their fullest potential and will motivate them to do their best since they are working in their professional area.

 

 

“2009 Employee Job Satisfaction: Understanding the Factors That Make Work Gratifying.” Society for Human Resource Management (2009): 6-17. Web. 14 Feb. 2012.

 

Greene, G. (1961), A Burnt-out Case, Penguin Group, New York.

 

Maslach, C., Schauteil, W.B & Leiter, M.P. (2001), Job Burnout, Annual Review Psychology pp. 52. 397-422.

 

Nauratil, M. J. (1989), The Alienated Librarian, Greenwood Press Inc. New York.

 

 

Blog Post #2

Blog Article #2

In our class discussions, I often wonder about the under-represented groups of people who are not able to access the technologies on which we focus.  This could be because of physical restraints, mental restraints (not having the knowledge or skills necessary to access information), geographical restraints (not living near a library or having access to internet at home), or a variety of other hindrances that I sometimes feel are swept aside in order to narrow the discussion into a workable framework.   For the sake of narrowing it down and to talk about a group with which I have personal experience working with, I’m going to try to focus on those with special needs, that is, those with developmental disabilities and physical impairments.

In class we have looked heavily at the user experience within the library system.  While we have touched on those lesser represented in the studies and research we’ve looked at, I would like to flip the lens and see how little those studies would apply to those with special needs.  I was reminded of Wilson’s article “Human Information Behavior” and wondered how well his definitions would apply to certain minorities.  Wilson defines information seeking behavior as the “purposive seeking for information as a consequence of a need to satisfy some goal. In the course of seeking, the individual may interact with manual information systems (such as a newspaper or a library), or with computer-based systems (such as the World Wide Web).”  I like this definition when I apply it to myself.  However, I have huge issues with this definition when I try to apply it to individuals with whom I have worked with developmental disabilities.  One is a young woman who is my age and would be a fully functional individual had she not been, at four years old, plagued with a sickness that resulted in the non-verbal, non-ambulatory life she now lives.

Even though this young woman is unable to speak or get around on her own, she is still able to make herself known and heard.  She is able to communicate her wants and needs to those she works with.  Now, according to Wilson’s definition, she would only portray information seeking behavior if she were to actively seek that information and interact with information systems.  So say she wanted to have the opportunity to listen to a book on tape.  She wouldn’t be able to go to the computer room and look up the books on tape available at her local library.  She wouldn’t be able to drive to that library and ask questions of the librarian.  She wouldn’t be able to check the item out on her own, nor would she be able to return it on her own.  So what are her options according to Wilson to demonstrate information seeking behavior?  As far as I can tell, she has none.

Would it be beneficial to alter Wilson’s definition of information seeking behavior in order to make it more widely applicable?  Should there be a completely separate definition based on various groups of people?  I would argue that there should be a broader definition to determine intent of the user as opposed to simply actions of the user in order to include those that may not be able to act on their intent.  I’m concerned that if there is a separate definition created for those groups of people that are already marginalized, it will further the perception of their being placed on the outskirts of the community.  Although this doesn’t happen in all cases, and in many cases there are communities within communities made up of these particular underrepresented groups which make a lot of headway in making sure there is equality across the board.  I am speaking of general societal perception and stereotypes that go along with these groups.  I have found that there is a distinct discomfort in talking about such things in the company of those who have not have personal experience working with people with developmental disabilities.  I think an open dialogue is a necessity for considering the creation of new, broader, more-inclusive terms of the “user” and “behavior.”

The assumed notion of health, accessibility, and skill is what bothers me primarily when I am looking at research and studies about user friendliness and something as narrowing as “experience.”  It trims the fat and focuses on the meaty majority that has the resources and skills available to them.  I am not saying that there are not resources available for people with special needs, I am simply arguing that there is not much, if any, recognition of this group in studies or research.  I feel that this pushes us to look further into underrepresented or misrepresented groups like prisons, halfway houses, psychiatric hospitals, the VA, rural schools, immigrant populations, visually and auditory impaired persons, this list could go on forever.  In a world that is increasingly focused on the individual can’t afford not to include such groups of people when looking at the future of information and librarianship.

Institutional Memory

In their article, “Archives, Records and Power: The Making of Modern Memory” Schwartz and Cook discuss the important impact archives have on social memory and the often overlooked power held by information professionals. They write:

“archives…wield power over the administrative, legal and fiscal accountability of governments, corporations and individuals…[they] wield power over the shape and direction of historical scholarship, collective memory and national identity, over how we know ourselves as individuals, groups and societies.”

Does the fact that an object is in an archive make it more a more valuable object or reliable as a source?  Who decides?  What are the possible futures of the past and how can the past be found? Whose memory gets stored and whose gets lost? Author Alberto Manguel calls libraries “preservers of memory of our society” and as such as libraries and archives play an essential role in deciding the fate of the past and as such have a power that is rarely associated with them by the general public.

To preserve knowledge and history seems to be a human need. Is it related to our biological instinct for survival?  Perhaps we feel that even though our lives are ephemeral, memory of our lives should be everlasting?  NASA’s golden record was launched into space in 1977 with the hope of reaching other living beings or perhaps human descendants. The record contains sounds of nature along with languages and music from around the world.   Undoubtedly however, one record can not capture every aspect of human diversity, indeed, not even a large archive can contain a history or memory of everything.  Who then, will tell the stories that are not told by archives, and who will listen?

As Rodney G.S. Carter points out in the article, “Of Things Said and Unsaid: Power, Archival Silences and Power in Silence:”

“A universal archive, one that preserves the memory of a culture is an impossibility as memory is necessarily an individual thing: there are many memories that often are conflicting and contradictory. Even if archivists are willing to allow multiple voices into the archives, it will never be complete. There is simply no way of capturing the multitude of stories, although archivists must try. ”

Even if archivists and librarians aim to create an all-inclusive archive, decisions about what to collect and what not to collect must be made. Not everything can be kept.  As Schwarz and Cook point out, these decisions heavily impact memory of the past and materials given precious archival space are often used to validate ideas of how things happened or are assigned a higher value than items that are not part of an official archival collection. Yet, as Schwarz and Cook write, “what goes on in the archives remains remarkably unknown.” Schwarz and Cook mainly address the content of libraries and archives, but their mission to raise discussion about the power held by archivists is reminiscent of radical catalogers’ calls to draw attention to and change biases in cataloging practices.  The organization and classifying methods used in public collections adds yet another layer to the complex power relations embedded in archives and libraries.   How do archivists and librarians make decisions and how can these decisions be made more visible to the people who use them?

Perhaps one solution may be to raise public dialogue on these issues and to begin to raise awareness about the curatorial aspects of library and archival work.   It seems that weeding is one of aspect of collection management that draws wide public attention. News articles describe the public’s dismay at seeing large quantities of books and other materials being removed from a library’s collection. Articles from library professionals list up ways libraries can help diffuse upset over weeding and how to talk about the deaccessioning process in a way that is more acceptable to the public. Perhaps these are times when the public’s attention could also be drawn to the complex task librarians and archivists face when trying to create diverse and useful collections. Libraries and archives could create a public forum to openly discuss these issues and gather input from community members about the stories they want their libraries and archives to tell.

Another strategy that could be useful would be to offer small public tours of behind the scenes archival and library spaces. Such tours could help shed some light on important issues regarding collection development and cataloging practices. People can see what goes into making all the resources available to them. People often have a greater appreciation for work once they have a better idea of what goes into it. People attending the tour can respond to some of the practices they see.  This type of activity can help libraries and archives make their activities more transparent and open to public input.

Another way to increase public involvement in and awareness of important library/archival issues is through art.  Art has the capacity to reach wide audiences and inspire them to see and hear things they encounter everyday in a new way. A number of interesting artworks that explore human interaction with library and archival systems have been on exhibition around New York in recent years, and some of them have been successful in generating much needed public dialogue about some of the issues Schwarz and Cook raise.  Interactive artworks, such as an audiovisual artwork called Kinokologue invite audiences to participate in cataloging tasks encourage them to engage with collections in a new and playful way.

One other interesting option may be to use beacon technology to help tell alternative narratives about the collections. Beacons are small transmitters that can be placed almost anywhere to send out information to smart devices within a certain range.   Perhaps users could learn about the b-side of library collections, such as the story of where a particular item came from or why it was chosen to be part of a collection. Or maybe the beacons could be used to indicate what’s missing from a collection and invite input on this from patrons.

While each of these solutions may not be possible in every context, they do offer ways of increasing public awareness about the important yet often invisible power issues Schwarz and Cook raise. When people have the opportunity to gain insight into how collections are produced and maintained and the decisions librarians and archivists are faced with, they may begin to see these places as less neutral objective spaces and recognize them for the socio-cultural-historic constructed places that they are. While libraries, archives and museums are sometimes known as memory institutions, perhaps such activities may help people realize that these institutional memories, just like each of ours are inherently biased, faulty and incomplete.  Every object and every memory changes with time and context.  What does not change is the human desire to preserve memories as best as possible with the hope that future generations can learn from and find something of themselves within them.

Works Cited:

Schwartz, J. & Cook, T. (2002). “Archives, records, and power: the making of modern memory,” Archival Science 2: 1–19.

CARTER, Rodney G.S.. Of Things Said and Unsaid: Power, Archival Silences, and Power in Silence. Archivaria, [S.l.], sep. 2006.

Observation: The Internet Archive and the Question of Abundance

Historians, in fact, maybe facing a fundamental paradigm shift from a culture of scarcity to a culture of abundance. Not so long ago, we worried about the small numbers of people we could reach, pages of scholarship we could publish, primary sources we could introduce to our students, and documents that had survived from the past. At least potentially, digital technology has removed many of these limits: over the Internet, it costs no more to deliver the AHR two 15 million people than 15,000 people; it costs less for our students to have access to literally millions of primary sources than a handful in a published anthology. And we may be able to both save and quickly search through all of the products of our culture. But will abundance bring better or more thoughtful history? (Rosenzweig, 2013)

In the recent past, information wasn’t as available as it is today. In today’s age we can hardly imagine what it is like to not have constant access to information. The moment we think of something we don’t know the answer to or someone asks us a question we might not know the answer to we can immediately pull out a mere device such as a cellphone to look up the answers practically instantaneously. Information is constantly at our beck and call, and with the tremendous growth in technology we have many ways of accessing it, storing it, and archiving it, whether it be through computers, laptops, phones, tablets, and even glasses. In addition to that, there is still the “old school” method of simply going to a library and finding the text you need, which now is much easier to browse since you can do it from home, have a book placed on hold for you so it’s ready upon your arrival to the library. Insane! But not really, because we are so used to it.

Rosenzweig asks the question as previously quoted, “But will abundance bring better or more thoughtful history?” I like to agree with Jason Silva on this one. Jason Silva is a futurist who puts a positive light on technological advancements and how humans can and will interface with them. In one of his videos on the YouTube channel Shots of Awe, he talks about one facet of how technology is shared, through the Internet, and describes how it actually increases the flow of curiosity and creativity. Many people believe that technology is making us lazy, that the Internet makes us simply look for an answer and then just move on without much thought. However, Jason Silva makes a good point that the Internet actually offloads some of our mental faculties, so that we can focus on even more things. What he means is that by being aided by the Internet to get an abundance of information quickly, we can spend more time on greater things, such as more thought towards what we have learned from it. So I believe that the answer to Rosenzweig’s question is that abundance will indeed bring better and more thoughtful history.

As previously mentioned, technology has made even using the library quicker and more efficient. We wont be saying good-bye to libraries any time soon. But, not only can you access physical items through a library, but also one of the most widely growing areas is digitizing resources. Now we might not always have to set foot into a library if we are looking for a quick e-source such as an e-book, journal article, etc. Most libraries offer access to these things, specifically academic libraries. It’s gotten so far that there are some libraries that might not have a specific physical location for their patrons to come in, but rather they exist online. One such place is the Internet Archive, at https://www.archive.org

The Internet Archive is a non-profit Internet library that started in 1997 with the purpose to “include offering permanent access for researchers, historians, scholars, people with disabilities, and the general public to historical collections that exist in digital format.” Many may already know them for their Way Back Machine that has 439 web pages saved from different periods of time, but they also store formats from texts, video, audio, software, image, concerts, and collections.

Screen Shot 2015-10-27 at 11.22.06 PM

Way Back Machine

The Way Back Machine was fun to explore. It was quite interesting to see websites such as yahoo, and amazon in its early stages. Yahoo, for instance was in no way visually appealing, and worked like a directory with a general list that branched off into more lists until you could narrow it down to the sites that you were looking for. It shows the gradual increase in our interfaces and how the Internet became much more user oriented as time went on, making it easier for humans to interface with it.

Old Yahoo

I also went ahead and created my own account for their website. The heading of the account creation page states, “Get a Virtual Library Card”. They treat their website as a library of its own, and your account is considered to be your Library Card. Having an account allows you to access other functions of the website. This includes favoriting, reviewing and rating items. The Internet Archive’s collections has a very straight forward browsing tool. When on a collection, each item has its own box which shows the item type, how many times its been viewed, how many times its been favorited, and how many times its been reviewed. This creates a very unique community, because with a physical library a patron doesn’t have any access to how many times an item has been viewed or how many people like it, or what people think about it. With this available to patrons, it can help them browse for popular items or less popular items or read up on what people have to say about it. Having the ability to write a review also allows patrons to leave very helpful tips. Through my observations, I’ve seen patrons give advice as to where to go to find more information on an item, as well as correct an item and informing the Internet Archive team about missing information from an item. At the bottom of each item you can also find what people have found after finding the current item. This creates a trend that can be very helpful for those with similar taste in books or whatever the item type is.

I’ve noticed that not all items are full text, but many are. I’ve even searched for “The Jungle Book” and was able to find the full original movie from 1942 and was able to watch it all for free! https://archive.org/details/JungleBook. There were also some very interesting finds just from browsing, like audio from NASA launches to be listened to in full. There are also tons of images archived on this website, even including your favorite music album covers.

As I browsed the site I was in awe of all the history we are able to store and access because of sites like the Internet Archive. But behind it all was the nagging question of how permanent can all this truly be? Their purpose states that it’s a permanent place, but in actuality all of this is stored on servers, computers probably in different areas and links back to other sources that they might have received it from. It would probably be really difficult to lose all of these files, but I can’t help but think that it is still possible. Technology is always growing and changing, leaving old methods of storage nearly obsolete; such as computers today not having a floppy disc drive to read files stored on a floppy. So, having archival websites like this one is a massive historical tool that can help many people to learn from the past and present. It probably wont be going anywhere for a long time, but I believe efforts should be made to observe ways to store these things in an even more permanent way, so that people in the future will also have access and not just for our time alone. This, too, can have issues with space to store so much information, but the trend seems to be that we are inventing smaller and smaller spaces of storage. Who knows how far we will go.

References

Internet Archive. https://archive.org. Web. 27 Oct. 2015.

Rosenzweig, R. (2003). Scarcity or abundance? Preserving the past in a digital era. The American Historical Review, 108(3), 735-762.

The Internet Archive and Identity Formation

In 1996, in an attic in San Francisco, Brewster Kahle started the Internet Archive, an organization whose mission is, quite literally, to archive the Internet. Kahle often likens the goal of IA to that of the Library of Alexandria, to provide “universal access to all knowledge” (Internet Archive, 2015). The traditional role of the archive in preserving cultural heritage and aiding in (or dictating) the construction of identity and social memory is well documented. However, I believe that twenty-first century technologies have not only changed conceptions of archives and access, but will also completely transform the process of meaning-making as it relates to understandings of the self. I believe systems like the Internet Archive will play a significant role in this change, allowing users to challenge historical understandings of power dynamics, hegemonic narratives, and accessibility through unrestricted access to enormous quantities of archived information.

internet-archive

“Archives — as records— wield power over the shape and direction of historical scholarship, collective memory, and national identity, over how we know ourselves as individuals, groups, and societies”, state Joan Schwartz and Terry Cook, from their 2002 article Archives, Records, and Power: The Making of Modern Memory. As Schwartz and Cook argue, the powerful typically control the hegemonic historical narrative that is constructed through archives by dictating what is preserved and what is sacrificed. The histories of select socioeconomically and culturally favored groups are retained, while the stories of marginalized groups are dismissed. It is important to note, I think, that “marginalized” does not necessarily mean statistically insignificant, merely socially and economically disadvantaged due to complex socio-historical factors. The ways in which these marginalized groups are able to engage with archives, as well as the ways that a lack of representation effects identity construction for these underrepresented groups, are extremely complicated. Questions of selection, retention, organization, and access quickly come to the forefront when considering archives. As Schwartz and Cook assert, “Records are also about power. They are about imposing control and order on transactions, events, people, and societies through the legal, symbolic, structural, and operational power of recorded communication” (Schwartz & Cook, 2002). I believe that digital technology has played a large role in alleviating issues of access, though I argue that issues of power dynamics, hegemonic representation, and material organization are still as prevalent as they were in the pre-digital era. This is especially true when considering monolithic cultural and educational institutions that have merely digitized their existing collections, effectively providing wider access to the same socio-historically problematic materials and presentation. I do, however, believe that the Internet Archive represents an exciting new realm of archiving, one that aspires to adhere to tenets of egalitarianism, non-discrimination, and universal access.

One of the most powerful aspects of digital archives is the ability of users to engage with material on a much deeper level than traditional archives allowed, often providing space for expansive reinterpretations of community and of self. In Marija Dalbello’s paper on digital cultural heritage, she includes a quote from Springer et al., who raise an important point when they ask “Does releasing public content with no known restrictions create a sense of democratic access or increase the sense of public ownership and shared stewardship for public cultural heritage resources” (Springer et al., 2008, 15). I argue that this is in fact the case. A sense of ownership in relation to cultural heritage enables users to see themselves and their communities as being present in the complex historical narratives that are told by archives. I believe that the Internet Archive provides space for people to participate in these kinds of reinterpretations of culture (and, by extension, identity construction) through open access to an exhaustive, and largely uncensored, quantity of material.

I think the potential for underrepresented (or entirely disregarded) groups, as well as individuals, to radically transform their processes of identity formation is present with an “unregulated “ (or at the very least lightly curated) archival system like the Internet Archive. Whether or not this will prove true remains to be seen. Identity formation and understandings of the self are complicated and greatly nuanced, and, since the advent of recorded history, have been deeply impacted by the hegemonic narratives of official archives. I believe the Internet Archive will serve as a sort of case study for the future of information retention, presentation, and access and the way that marginalized groups engage with these materials. I personally am incredibly excited at the prospect of a future of archival systems that seek to represent all, rather than the narrative of the privileged few.

References

Dalbello, Marija. “Digital Cultural Heritage: Concepts, Projects, and Emerging Constructions of Heritage.” Proceedings of the Libraries in the Digital Age (LIDA) conference, 25-30 May, 2009.

Internet Archive. https://archive.org. Web. 23 Oct. 2015.

Lepore, Jill. “The Cobweb: Can the Internet be Archived?” The New Yorker. Condé Nast, 26 Jan. 2015. Web. 23 Oct. 2015.

Schwartz, Joan, and Terry Cook. “Archives, Records, and Power: The Making of Modern Memory.” Archival Science 2.1-19 (2002): 2-13. Print.