{"id":63,"date":"2022-12-03T21:58:41","date_gmt":"2022-12-03T21:58:41","guid":{"rendered":"https:\/\/studentwork.prattsi.org\/data-visceralization\/?page_id=63"},"modified":"2026-02-25T00:33:46","modified_gmt":"2026-02-25T00:33:46","slug":"references","status":"publish","type":"page","link":"https:\/\/studentwork.prattsi.org\/data-visceralization\/references\/","title":{"rendered":"References"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"63\" class=\"elementor elementor-63\">\n\t\t\t\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-e2721b1 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"e2721b1\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-07e5702\" data-id=\"07e5702\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-49c1e66 elementor-widget elementor-widget-text-editor\" data-id=\"49c1e66\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.8.1 - 13-11-2022 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#818a91;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#818a91;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<h3>Data &amp; Software<\/h3><div>\u00a0<\/div><h4>Data<\/h4><div>\u00a0<\/div><p>Finnegan, B., Rangel Smith, C., &amp; Van Stroud, S. (2021). <em>Desert Island Disks<\/em>. <a href=\"https:\/\/hcommons.org\/deposits\/item\/hc:42511\/\">https:\/\/hcommons.org\/deposits\/item\/hc:42511\/<\/a><\/p><p>\u00a0<\/p><h4>Software<\/h4><div>\u00a0<\/div><p>Aaron, S. (2022). <em>Sonic Pi<\/em> (4.3.0). [Computer software].<a href=\"https:\/\/sonic-pi.net\"> https:\/\/sonic-pi.net<\/a><\/p><p>Lund, F., Clark, A., et. al. <em>Pillow (PIL) Fork 9.3.0 Documentation<\/em>, n.d. <a href=\"https:\/\/pillow.readthedocs.io\/en\/stable\/handbook\/index.html\">https:\/\/pillow.readthedocs.io\/en\/stable\/handbook\/index.html<\/a><\/p><p><em>MuseScore<\/em> (3.6.2 64-bit). [Computer software]. (2021). <a href=\"https:\/\/musescore.org\/en\">\u00a0https:\/\/musescore.org\/en<\/a><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-e68b29b elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"e68b29b\" data-element_type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.8.1 - 13-11-2022 *\/\n.elementor-widget-divider{--divider-border-style:none;--divider-border-width:1px;--divider-color:#2c2c2c;--divider-icon-size:20px;--divider-element-spacing:10px;--divider-pattern-height:24px;--divider-pattern-size:20px;--divider-pattern-url:none;--divider-pattern-repeat:repeat-x}.elementor-widget-divider .elementor-divider{display:-webkit-box;display:-ms-flexbox;display:flex}.elementor-widget-divider .elementor-divider__text{font-size:15px;line-height:1;max-width:95%}.elementor-widget-divider .elementor-divider__element{margin:0 var(--divider-element-spacing);-ms-flex-negative:0;flex-shrink:0}.elementor-widget-divider .elementor-icon{font-size:var(--divider-icon-size)}.elementor-widget-divider .elementor-divider-separator{display:-webkit-box;display:-ms-flexbox;display:flex;margin:0;direction:ltr}.elementor-widget-divider--view-line_icon .elementor-divider-separator,.elementor-widget-divider--view-line_text .elementor-divider-separator{-webkit-box-align:center;-ms-flex-align:center;align-items:center}.elementor-widget-divider--view-line_icon .elementor-divider-separator:after,.elementor-widget-divider--view-line_icon .elementor-divider-separator:before,.elementor-widget-divider--view-line_text .elementor-divider-separator:after,.elementor-widget-divider--view-line_text .elementor-divider-separator:before{display:block;content:\"\";border-bottom:0;-webkit-box-flex:1;-ms-flex-positive:1;flex-grow:1;border-top:var(--divider-border-width) var(--divider-border-style) var(--divider-color)}.elementor-widget-divider--element-align-left .elementor-divider .elementor-divider-separator>.elementor-divider__svg:first-of-type{-webkit-box-flex:0;-ms-flex-positive:0;flex-grow:0;-ms-flex-negative:100;flex-shrink:100}.elementor-widget-divider--element-align-left .elementor-divider-separator:before{content:none}.elementor-widget-divider--element-align-left .elementor-divider__element{margin-left:0}.elementor-widget-divider--element-align-right .elementor-divider .elementor-divider-separator>.elementor-divider__svg:last-of-type{-webkit-box-flex:0;-ms-flex-positive:0;flex-grow:0;-ms-flex-negative:100;flex-shrink:100}.elementor-widget-divider--element-align-right .elementor-divider-separator:after{content:none}.elementor-widget-divider--element-align-right .elementor-divider__element{margin-right:0}.elementor-widget-divider:not(.elementor-widget-divider--view-line_text):not(.elementor-widget-divider--view-line_icon) .elementor-divider-separator{border-top:var(--divider-border-width) var(--divider-border-style) var(--divider-color)}.elementor-widget-divider--separator-type-pattern{--divider-border-style:none}.elementor-widget-divider--separator-type-pattern.elementor-widget-divider--view-line .elementor-divider-separator,.elementor-widget-divider--separator-type-pattern:not(.elementor-widget-divider--view-line) .elementor-divider-separator:after,.elementor-widget-divider--separator-type-pattern:not(.elementor-widget-divider--view-line) .elementor-divider-separator:before,.elementor-widget-divider--separator-type-pattern:not([class*=elementor-widget-divider--view]) .elementor-divider-separator{width:100%;min-height:var(--divider-pattern-height);-webkit-mask-size:var(--divider-pattern-size) 100%;mask-size:var(--divider-pattern-size) 100%;-webkit-mask-repeat:var(--divider-pattern-repeat);mask-repeat:var(--divider-pattern-repeat);background-color:var(--divider-color);-webkit-mask-image:var(--divider-pattern-url);mask-image:var(--divider-pattern-url)}.elementor-widget-divider--no-spacing{--divider-pattern-size:auto}.elementor-widget-divider--bg-round{--divider-pattern-repeat:round}.rtl .elementor-widget-divider .elementor-divider__text{direction:rtl}.e-con-inner>.elementor-widget-divider,.e-con>.elementor-widget-divider{width:var(--container-widget-width,100%)}<\/style>\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-7d9956c elementor-widget elementor-widget-text-editor\" data-id=\"7d9956c\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<h3>Works Cited<\/h3><div>\u00a0<\/div><p><span style=\"font-weight: 400\">Agrawala, M., Li, W., &amp; Berthouzoz, F. (2011). Design principles for visual communication. <\/span><i><span style=\"font-weight: 400\">Communications of the ACM<\/span><\/i><span style=\"font-weight: 400\">, <\/span><i><span style=\"font-weight: 400\">54<\/span><\/i><span style=\"font-weight: 400\">(4), 60\u201369.<\/span><strong><a href=\"https:\/\/doi.org\/10.1145\/1924421.1924439\"> https:\/\/doi.org\/10.1145\/1924421.1924439<\/a><\/strong><\/p><p>\u00a0<\/p><p>Bleeker, M., Verhoeff, N., &amp; Werning, S. (2020). Sensing data: Encountering data sonifications, materializations, and interactives as knowledge objects. Convergence, 26(5\u20136), 1088\u20131107. <a href=\"https:\/\/doi.org\/10.1177\/1354856520938601\">https:\/\/doi.org\/10.1177\/1354856520938601<\/a><\/p><p>\u00a0<\/p><p>D&#8217;Ignazio, C., &amp; Bhargava, R. (2016). DataBasic: Design principles, tools and activities for Data Literacy Learners.<em> The Journal of Community Informatics<\/em>, 12(3). <a href=\"https:\/\/doi.org\/10.15353\/joci.v12i3.3280\">https:\/\/doi.org\/10.15353\/joci.v12i3.3280<\/a><\/p><p>\u00a0<\/p><p>D\u2019Ignazio, C., &amp; Klein, L. F. (2020). <em>Data Feminism<\/em>. The MIT Press. <a href=\"https:\/\/doi.org\/10.7551\/mitpress\/11805.001.0001\">https:\/\/doi.org\/10.7551\/mitpress\/11805.001.0001\u00a0<\/a><\/p><p>\u00a0<\/p><p>Dragicevic, P., Jansen, Y., &amp; Vande Moere, A. (2021). Data Physicalization. In J. Vanderdonckt, P. Palanque, &amp; M. Winckler (Eds.), <em>Handbook of Human Computer Interaction<\/em> (pp. 1\u201351). Springer International Publishing. <a href=\"https:\/\/doi.org\/10.1007\/978-3-319-27648-9_94-1\">https:\/\/doi.org\/10.1007\/978-3-319-27648-9_94-1<\/a><\/p><p>\u00a0<\/p><p><span style=\"font-weight: 400\">Drogemuller, A., Cunningham, A., Walsh, J., &amp; Thomas, B. (2019, April 12). <\/span><i><span style=\"font-weight: 400\">Towards Instantiating Design Principles for Physical Networks<\/span><\/i><span style=\"font-weight: 400\">.<\/span><\/p><p><span style=\"font-weight: 400\">\u00a0<\/span><\/p><p>Dr\u00fccker, J. \u201cHumanities Approaches to Graphical Display\u201d, <em>Digital Humanities Quarterly<\/em>, 25, 1 (2011), <a href=\"http:\/\/www.digitalhumanities.org\/dhq\/vol\/5\/1\/000091\/000091.html\">http:\/\/www.digitalhumanities.org\/dhq\/vol\/5\/1\/000091\/000091.html<\/a><\/p><p>\u00a0<\/p><p>Graham, S. (2016). The Sound of Data (a gentle introduction to sonification for historians). <em>Programming Historian<\/em>. <a href=\"https:\/\/programminghistorian.org\/en\/lessons\/sonification\">https:\/\/programminghistorian.org\/en\/lessons\/sonification<\/a><\/p><p>\u00a0<\/p><p>Harlizius-Kl\u00fcck, E. (2017). Weaving as Binary Art and the Algebra of Patterns. <em>TEXTILE<\/em>, <em>15<\/em>(2), 176\u2013197. <a href=\"https:\/\/doi.org\/10.1080\/14759756.2017.1298239\">https:\/\/doi.org\/10.1080\/14759756.2017.1298239<\/a><\/p><p>\u00a0<\/p><p><span style=\"font-weight: 400\">Hicks, C. (2022, July 27). <\/span><i><span style=\"font-weight: 400\">When We Miss Missingness<\/span><\/i><span style=\"font-weight: 400\"> \u2013 Data Science by Design. <\/span><strong><a href=\"https:\/\/datasciencebydesign.org\/blog\/when-we-miss-missingness\">https:\/\/datasciencebydesign.org\/blog\/when-we-miss-missingness<\/a><\/strong><\/p><p>\u00a0<\/p><p>Hogan, T., Hinrichs, U., Jansen, Y., Huron, S., Gourlet, P., Hornecker, E., &amp; Nissen, B. (2017, June). Pedagogy &amp; physicalization: Designing learning activities around physical data representations. In Proceedings of the 2017 ACM conference companion publication on designing interactive systems (pp. 345-347).\u00a0<\/p><p>\u00a0<\/p><p>Holmes, B. (2009, March 5). <em>The Affectivist Manifesto<\/em>. Continental Drift. Retrieved December 15, 2022, from <a href=\"https:\/\/brianholmes.wordpress.com\/2008\/11\/16\/the-affectivist-manifesto\/\">https:\/\/brianholmes.wordpress.com\/2008\/11\/16\/the-affectivist-manifesto\/\u00a0<\/a><\/p><p>\u00a0<\/p><p>Hsu, W. F. U. (2018). Reprogramming Sounds of Learning. In <em>Digital Sound Studies<\/em> (pp. 130\u2013152). Duke University Press Books. <a href=\"https:\/\/doi.org\/10.1215\/9780822371991-007\">https:\/\/doi.org\/10.1215\/9780822371991-007<\/a><\/p><p>\u00a0<\/p><p><span style=\"font-weight: 400\">Jansen, Y., Dragicevic, P., Isenberg, P., Alexander, J., Karnik, A., Kildal, J., Subramanian, S., &amp; Hornb\u00e6k, K. (2015). Opportunities and Challenges for Data Physicalization. <\/span><i><span style=\"font-weight: 400\">Proceedings of the 33rd Annual ACM Conference on Human Factors in Computing Systems<\/span><\/i><span style=\"font-weight: 400\">, 3227\u20133236.<\/span><strong><a href=\"https:\/\/doi.org\/10.1145\/2702123.2702180\"> https:\/\/doi.org\/10.1145\/2702123.2702180<\/a><\/strong><\/p><p>\u00a0<\/p><p>Mauro-Flude, N. (2019). Methodologies of Risk and Experimental Prototyping. In <em>Intersecting Art and Technology in practice: Techne\/technique\/technology<\/em> (pp. 169\u2013181). essay, ROUTLEDGE. <a href=\"https:\/\/doi.org\/10.4324\/9781315678092\">https:\/\/doi.org\/10.4324\/9781315678092<\/a><\/p><p>\u00a0<\/p><p>Michelson, R. (2020, May 12). <em>Knitting Data<\/em>. Knitting Data: Data Visualization and Crafts. <a href=\"https:\/\/scalar.usc.edu\/works\/knitting-data\/index\">https:\/\/scalar.usc.edu\/works\/knitting-data\/index<\/a><\/p><p>\u00a0<\/p><p>Nakamura, L. (2014). Indigenous Circuits: Navajo Women and the Racialization of Early Electronic Manufacture. <em>American Quarterly<\/em>, <em>66<\/em>(4), 919\u2013941. <a href=\"https:\/\/doi.org\/10.1353\/aq.2014.0070\">https:\/\/doi.org\/10.1353\/aq.2014.0070<\/a><\/p><p>\u00a0<\/p><p>Onuoha, M. (2016). <em>The Library of Missing Datasets<\/em>. MIMI \u00a0 \u1eccN\u1ee4\u1eccHA. <a href=\"https:\/\/mimionuoha.com\/the-library-of-missing-datasets\">https:\/\/mimionuoha.com\/the-library-of-missing-datasets<\/a><\/p><p>\u00a0<\/p><p>Pangrazio, L. (2020). <em>Keyword: Materiality<\/em>. new ways of understanding digital data. Retrieved December 14, 2022, from <a href=\"https:\/\/materialising-data.org\/2020\/07\/03\/keyword-materiality\/\">https:\/\/materialising-data.org\/2020\/07\/03\/keyword-materiality\/<\/a><\/p><p><a href=\"https:\/\/materialising-data.org\/2020\/07\/03\/keyword-materiality\/\">\u00a0<\/a><\/p><p>Patowary, K. (2020, February 4). <em>That Time When Computer Memory Was Handwoven by Women<\/em>. Amusing Planet. <a href=\"https:\/\/www.amusingplanet.com\/2020\/02\/that-time-when-computer-memory-was.html\">https:\/\/www.amusingplanet.com\/2020\/02\/that-time-when-computer-memory-was.html<\/a><\/p><p>\u00a0<\/p><p>Reed, A. (2016). Craft and care: The Maker Movement, Catherine Blake, and the Digital Humanities. <em>Essays in Romanticism<\/em>, <em>23<\/em>(1), 23\u201338. <a href=\"https:\/\/doi.org\/10.3828\/eir.2016.23.1.4\">https:\/\/doi.org\/10.3828\/eir.2016.23.1.4\u00a0<\/a><\/p><p>\u00a0<\/p><p><span style=\"font-weight: 400\">Schoof, Tim. (2022, July 27). <\/span><i><span style=\"font-weight: 400\">The Future of Data Science Includes Slow Data Science<\/span><\/i><span style=\"font-weight: 400\"> \u2013 Data Science by Design. <\/span><strong><a href=\"https:\/\/datasciencebydesign.org\/blog\/the-future-of-data-science-includes-slow-data-science\">https:\/\/datasciencebydesign.org\/blog\/the-future-of-data-science-includes-slow-data-science<\/a> <\/strong><\/p><p>\u00a0<\/p><p><span style=\"font-weight: 400\">Stark, L. (2014, May 19). <\/span><i><span style=\"font-weight: 400\">Come on Feel the Data (and Smell It)<\/span><\/i><span style=\"font-weight: 400\">. The Atlantic.<\/span><strong><a href=\"https:\/\/www.theatlantic.com\/technology\/archive\/2014\/05\/data-visceralization\/370899\/\"> https:\/\/www.theatlantic.com\/technology\/archive\/2014\/05\/data-visceralization\/370899\/<\/a><\/strong><\/p><p>\u00a0<\/p><p><span style=\"font-weight: 400\">Wernimont, J. (2022, July 21). Pandemic Death Counts Are Numbing. There\u2019s Another Way to Process. <\/span><i><span style=\"font-weight: 400\">Wired<\/span><\/i><span style=\"font-weight: 400\">. Retrieved December 10, 2022, from<\/span><strong><a href=\"https:\/\/www.wired.com\/story\/covid19-data-visceralization-death-statistics\/\"> https:\/\/www.wired.com\/story\/covid19-data-visceralization-death-statistics\/<\/a><\/strong><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-7800680 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"7800680\" data-element_type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-5108067 elementor-widget elementor-widget-text-editor\" data-id=\"5108067\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<h3>Further Reading<\/h3><div><br><\/div>\n<p>Bara, F., Gentaz, E., Cole, P, Sprenger-Charolles, L. \u201cThe visuo-haptic and haptic exploration of letters increases the kindergarten-children\u2019s understanding of the alphabetic principle\u201d, <em>Cognitive Development<\/em>, 19, 3 (July-September, 2004): 433-449. <a href=\"https:\/\/doi.org\/10.1016\/j.cogdev.2004.05.003\">https:\/\/doi.org\/10.1016\/j.cogdev.2004.05.003<\/a><\/p><p><br><\/p>\n<p><em>BBC Radio 4\u2014Desert Island Discs\u2014The History of Desert Island Discs<\/em>. (n.d.). BBC. Retrieved November 9, 2022, from<a href=\"https:\/\/www.bbc.co.uk\/programmes\/articles\/59YrnYM0Tw8J7WJ0MGKVfh7\/the-history-of-desert-island-discs\"> https:\/\/www.bbc.co.uk\/programmes\/articles\/59YrnYM0Tw8J7WJ0MGKVfh7\/the-history-of-desert-island-discs<\/a><\/p><p><br><\/p>\n<p><em>BBC Radio 4\u2014Desert Island Discs<\/em>. (n.d.). BBC. Retrieved November 9, 2022, from<a href=\"https:\/\/www.bbc.co.uk\/programmes\/b006qnmr\"> https:\/\/www.bbc.co.uk\/programmes\/b006qnmr<\/a><\/p><p><br><\/p>\n<p>Corona, A. \u201cLet\u2019s get physical: how to represent data through touch A tutorial in data physicalisation for journalists\u201d, <em>Datajournalism.com<\/em> (16 July, 2019), <a href=\"https:\/\/datajournalism.com\/read\/longreads\/lets-get-physical-how-to-represent-data-through-touch\">https:\/\/datajournalism.com\/read\/longreads\/lets-get-physical-how-to-represent-data-through-touch<\/a><\/p><p><br><\/p>\n<p><i><span style=\"font-weight: 400\">DATA PHYSICALIZATION WIKI<\/span><\/i><span style=\"font-weight: 400\">. (n.d.). Retrieved December 10, 2022, from<\/span> <strong><a href=\"http:\/\/dataphys.org\/\">http:\/\/dataphys.org\/<\/a><\/strong><\/p><p><br><\/p>\n<p>Drucker, J. (2013). Performative Materiality and Theoretical Approaches to Interface. <em>Digital Humanities Quarterly<\/em>, <em>007<\/em>(1). <a href=\"http:\/\/digitalhumanities.org:8081\/dhq\/vol\/7\/1\/000143\/000143.html\">http:\/\/digitalhumanities.org:8081\/dhq\/vol\/7\/1\/000143\/000143.html<\/a>&nbsp;<\/p><p><br><\/p>\n<p>Duncan, H., Finnegan, B., Hare, L., Rangel Smith, C., &amp; Van Stroud, S. (2022, March 9). <em>Desert Island Discs\u2014Famous people and their musical tastes<\/em>. Turing Data Stories.<a href=\"https:\/\/alan-turing-institute.github.io\/TuringDataStories-fastpages\/data%20exploration\/data%20wrangling\/data%20visualisation\/digital%20humanities\/2022\/03\/09\/Desert-Island-Discs.html\"> https:\/\/alan-turing-institute.github.io\/TuringDataStories-fastpages\/data%20exploration\/data%20wrangling\/data%20visualisation\/digital%20humanities\/2022\/03\/09\/Desert-Island-Discs.html<\/a><\/p><p><br><\/p>\n<p>Earhart, A. E., Risam, R., &amp; Bruno, M. (2021). Citational politics: Quantifying the influence of gender on citation in Digital Scholarship in the Humanities. <em>Digital Scholarship in the Humanities<\/em>, <em>36<\/em>(3), 581\u2013594.<a href=\"https:\/\/doi.org\/10.1093\/llc\/fqaa011\"> https:\/\/doi.org\/10.1093\/llc\/fqaa011<\/a><\/p><p><br><\/p>\n<p>Frey, HP; Honey, C., K\u00f6nig, P., \u201cWhat&#8217;s color got to do with it? The influence of color on visual attention in different categories,\u201d <em>Journal of Vision<\/em>, 8, 14 (October, 2008). <a href=\"https:\/\/doi.org\/10.1167\/8.14.6\">https:\/\/doi.org\/10.1167\/8.14.6<\/a>.<\/p><p><br><\/p>\n<p>Giannetti, F. (2021). Introduction: Some Practical And Ethical Considerations For Integrating Digital Humanities And Music Pedagogy. <em>Notes<\/em>, <em>77<\/em>(4), N.PAG-N.PAG.<a href=\"https:\/\/doi.org\/10.1353\/not.2021.0038\"> https:\/\/doi.org\/10.1353\/not.2021.0038<\/a><\/p><p><br><\/p>\n<p>Grace Afsari-Mamagani. (2022, April 19). <em>Culture Mapping 2022 Keynote\u2014Textiles as Archives + Afterlives<\/em> [Video]. YouTube.<a href=\"https:\/\/www.youtube.com\/watch?v=j3WOPcN_Ao0\"> https:\/\/www.youtube.com\/watch?v=j3WOPcN_Ao0<\/a><\/p><p><br><\/p>\n<p>Gustar, A. (2020, April 18). Desert Island Discs. <em>Statistics in Historical Musicology<\/em>.<a href=\"https:\/\/musichistorystats.com\/wp\/desert-island-discs\/\"> https:\/\/musichistorystats.com\/wp\/desert-island-discs\/<\/a><\/p><p><br><\/p>\n<p>Gustar, A. J. (2020). <em>Desert Island Discs 1942-2020<\/em>.<a href=\"https:\/\/hcommons.org\/deposits\/item\/hc:37503\/\"> https:\/\/hcommons.org\/deposits\/item\/hc:37503\/<\/a><\/p><p><br><\/p>\n<p>Hansen, M. B. N. (2015). <em>Feed Forward: On the Future of Twenty-First Media<\/em>. 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MIT SHASS: News.<strong><a href=\"https:\/\/shass.mit.edu\/news\/news-2022-mit-digital-humanities-launches-sonification-toolkit\"> https:\/\/shass.mit.edu\/news\/news-2022-mit-digital-humanities-launches-sonification-toolkit<\/a><\/strong><\/p><p><br><\/p>\n<p><span style=\"font-weight: 400\">Lenzi, S., Ciuccarelli, P., Liu, H., &amp; Hua, Y. (2021). <\/span><i><span style=\"font-weight: 400\">Data Sonification Archive<\/span><\/i><span style=\"font-weight: 400\">.<\/span><strong><a href=\"https:\/\/sonification.design\/\"> https:\/\/sonification.design\/<\/a><\/strong><\/p><p><br><\/p>\n<p><span style=\"font-weight: 400\">Lenzi, S., Terenghi, G., &amp; Moreno, A. 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Retrieved November 16, 2022, from <a href=\"http:\/\/curatingmenus.org\/articles\/against-cleaning\/\">http:\/\/curatingmenus.org\/articles\/against-cleaning\/&nbsp;<\/a><\/p><p><br><\/p>\n<p>Sarukkai, S., &amp; Malina, R. (2020). The Humanities\u2019 Touch: Why ArtScience Matters. <em>Marg: A Magazine of the Arts<\/em>, <em>72<\/em>(1), 108\u2013113.<\/p>\n<p>Thiede, M. (2017, May 17). Preservation in Practice: A Survey of New York City Digital Humanities Researchers. <em>In The Library With The Lead Pipe<\/em>.<a href=\"https:\/\/www.inthelibrarywiththeleadpipe.org\/2017\/preservation-in-practice-a-survey-of-new-york-city-digital-humanities-researchers\/\"> https:\/\/www.inthelibrarywiththeleadpipe.org\/2017\/preservation-in-practice-a-survey-of-new-york-city-digital-humanities-researchers\/<\/a><\/p><p><br><\/p>\n<p>Thorp, J. (2021). <em>Living in data: A citizen\u2019s guide to a better information future<\/em>. MCD, Farrar, Straus and Giroux.<\/p><p><br><\/p>\n<p>Tsing, A. L. (2012) On Nonscalability: The Living World Is Not Amenable to Precision-Nested Scales. <em>Common Knowledge<\/em>, 18.&nbsp;<\/p>\n<p><span style=\"font-weight: 400\">Tu, C. (2017, February 7). How to Listen to Data. <\/span><i><span style=\"font-weight: 400\">Science Friday<\/span><\/i><span style=\"font-weight: 400\">.<\/span><strong><a href=\"https:\/\/www.sciencefriday.com\/articles\/how-to-listen-to-data\/\"> https:\/\/www.sciencefriday.com\/articles\/how-to-listen-to-data\/<\/a><\/strong><\/p><p><br><\/p>\n<p><span style=\"font-weight: 400\">Wernimont, J. (n.d.). <\/span><i><span style=\"font-weight: 400\">A Bibl for Spreadsheets (History and Cultures of\/related to\u2026will update with new materials soon 10\/2020) \u2013 JACQUELINE WERNIMONT<\/span><\/i><span style=\"font-weight: 400\">. Retrieved May 2, 2022, from<\/span><strong><a href=\"https:\/\/jwernimont.com\/a-bibl-for-spreadsheets\/\"> https:\/\/jwernimont.com\/a-bibl-for-spreadsheets\/<\/a><\/strong><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Data &amp; Software \u00a0 Data \u00a0 Finnegan, B., Rangel Smith, C., &amp; Van Stroud, S. (2021). Desert Island Disks. https:\/\/hcommons.org\/deposits\/item\/hc:42511\/ \u00a0 Software \u00a0 Aaron, S. (2022). Sonic Pi (4.3.0). [Computer software]. https:\/\/sonic-pi.net Lund, F., Clark, A., et. al. Pillow (PIL) Fork 9.3.0 Documentation, n.d. https:\/\/pillow.readthedocs.io\/en\/stable\/handbook\/index.html MuseScore (3.6.2 64-bit). [Computer software]. (2021). \u00a0https:\/\/musescore.org\/en \/*! elementor &#8211;&hellip; <a class=\"more-link\" href=\"https:\/\/studentwork.prattsi.org\/data-visceralization\/references\/\">Continue reading <span class=\"screen-reader-text\">References<\/span><\/a><\/p>\n","protected":false},"author":3949,"featured_media":0,"parent":0,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-63","page","type-page","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/studentwork.prattsi.org\/data-visceralization\/wp-json\/wp\/v2\/pages\/63","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/studentwork.prattsi.org\/data-visceralization\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/studentwork.prattsi.org\/data-visceralization\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/studentwork.prattsi.org\/data-visceralization\/wp-json\/wp\/v2\/users\/3949"}],"replies":[{"embeddable":true,"href":"https:\/\/studentwork.prattsi.org\/data-visceralization\/wp-json\/wp\/v2\/comments?post=63"}],"version-history":[{"count":42,"href":"https:\/\/studentwork.prattsi.org\/data-visceralization\/wp-json\/wp\/v2\/pages\/63\/revisions"}],"predecessor-version":[{"id":1174,"href":"https:\/\/studentwork.prattsi.org\/data-visceralization\/wp-json\/wp\/v2\/pages\/63\/revisions\/1174"}],"wp:attachment":[{"href":"https:\/\/studentwork.prattsi.org\/data-visceralization\/wp-json\/wp\/v2\/media?parent=63"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}